JORDAN

DELL

HARRIS

Actor & Artist

JORDAN

DELL

HARRIS

Actor & Artist

Cover Photo:

THE BOYS IN THE BAND

@ Windy City Playhouse

Photo by Michael Brosilow

COMING SOON!

Jordan makes his debut at The Second City in Queer Eye: The Musical Parody!

From the Press Release: "Follow everybody's fave Fab Five as they help an Average Joe manifest their full potential through aggressive self-love, laugh-out-loud comedy, and more songs than you can handle, henny! Watch a live "episode" of the show we all thought we knew... until now. Written by Evan Mills and Heidi Joosten, Queer Eye: The Musical Parody features all the avocados, plenty of pompadours, and maybe even a puppet or two. Say "YASS, and" to this hilarious experience where things just keep on getting better...and funnier!"

Previews begin May 26 and performances continue all Summer through September!

To purchase tickets and for more information, visit The Second City's Official Queer Eye page.

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BIOGRAPHY

Jordan Dell Harris (he/him/his) is a Jeff Award-Winning actor and singer based out of Chicago, Illinois. A Georgia native, Jordan began acting at the age of four, and he hasn't stopped since. He received a degree in Theatre from The University of Georgia and spent several years performing on professional stages in Atlanta before moving to Chicago.

Jordan was last seen onstage playing Donald in The Boys in the Band (Windy City Playhouse; Joseph Jefferson Award Winner - Best Ensemble in a Play, Best Play). Other recent roles include playing Carver in the Chicago premiere of Sundown, Yellow Moon (Raven Theatre) and Whizzer in Falsettos (Actor's Express; Suzi Bass Award Nomination - Outstanding Acting Ensemble in a Musical). Other selected credits include Evil Dead the Musical (Black Button Eyes; Joseph Jefferson Award Nomination - Best Performance in a Leading Role in a Musical), A Little Night Music (BoHo Theatre), Leave Me Alone! (The Story Theatre), BAT BOY: The Musical (Griffin Theatre; Joseph Jefferson Award nomination - Best Ensemble), and Wonderful Town (Goodman Theatre).

Jordan is currently an Actor's Equity Membership Candidate and is proud to be represented by the fine folks at Gray Talent Group.

IN THE PRESS!

Read some curated highlights below or

click here for even more press!

AS "CARVER" IN

SUNDOWN, YELLOW MOON

"The cast includes Liz Chidester, one of the most truthful actors in this city, as well as an impressive young performer named Jordan Dell Harris, who dives deep into his character here."

-Chris Jones for the Chicago Tribune

_______________________

"Another of Chicago’s finest, multitalented young actors, Jordan Dell Harris is solid and charmingly earnest as Carver... This handsome actor, with the sweetest singing voice, plays this failed musician with authenticity and understated enthusiasm."

-Colin Douglas for Chicago Theatre Review

AS "ASH" IN

EVIL DEAD: THE MUSICAL

"Jordan Dell Harris is impeccably intense, suave and athletic as leading man Ash. Harris perfectly embodies the stereotypically heroic and noble protagonist, as a near spitting image of the legendary Bruce Campbell—from the action-ready wide-eyed stares to the hard-pressed furrowed brow. His acting chops are matched by his vocal prowess and able-bodied combat. It takes a special actor indeed to belt at the top of his range while being sprayed with mouthfuls of blood, and it takes a resilient one to convincingly roll across couches and into walls as he battles with his own hand."

-Quinn Rigg for Chicagoland Musical Theatre

AS "HENRIK" IN

A LITTLE NIGHT MUSIC

"Harris’ Henrik is a linchpin here, glowering, gloomy and endearing. He’s simultaneously comic and tragic, a fervently wrathful adult who is also very much a lonely child."

-Catey Sullivan for the Chicago Sun-Times

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"Harris’s forthright Henrik sulks suitably but never condescends: His sweetly ignorant seminary student really is torn between adolescent awkwardness and sexual awakening. Henrik’s “Later” never reeks of self-pity, just all the doubts we once harbored and mustn’t forget."

-Lawrence Bommer for

Chicago Theatre Review